3-Day Weekend: Taxes and D&D (x2!)

Feb. 16th, 2026 08:07 pm
canyonwalker: Hangin' in a hammock (life's a beach)
[personal profile] canyonwalker
It's been a quiet 3-day weekend here at home. It's winter, the weather's poor (by local standards, anyway), and Hawk is recovering from surgery so we didn't have any plans to go anywhere. Combine that with working from home, and the days all blur together. To be sure, working from home is way better overall than commuting to an office. But one of its few downsides its that weekends can seem little different from weekdays. Weekends are like work days, just with less work.

Among the less-work things I did this weekend were working on my taxes and playing D&D. Taxes I mentioned starting in earnest on Saturday. After that I did come back and do another tax session after dinner Friday, followed by short (90-ish minute) sessions on Sunday and Monday. The balance of my time Sunday and Monday I spent playing D&D. And not just playing D&D but DMing it. (Not that that's necessarily better... it's just a lot more work!)

This weekend we actually squeezed in two games of D&D. As we wrapped up our gaming session on Sunday we were talking about when to play next— like, would it be next weekend, or would it be 2 weekends out? Then I suggested, "What about tomorrow?" And everyone found time in their calendars! We played D&D two days in a row. It's like a Critical Hit! 🤣

Now I've just got to finish up my taxes. I figure I'm 80% done.

recent reading

Feb. 16th, 2026 08:04 pm
isis: Isis statue (statue)
[personal profile] isis
I'm finally feeling mostly human after being down with a cold for about a week; serves me right for being a judge at the regional science fair and exposing myself to all those middle school germ factories. Well, I read a lot, anyway.

Shroud by Adrien Tchaikovsky - first-contact with a very alien alien species on the tidally-locked moon of a gas giant. Earth is (FRTDNEATJ*) uninhabitable, humans have diaspora'ed in spaceships under the iron rule of corporations who cynically consider only a person's value to the bottom line, and the Special Projects team of the Garveneer is evaluating what resources can be extracted from the moon nicknamed "Shroud" when disaster (of course) strikes. The middle 3/5 of the book is a bizarre roadtrip through a strange frozen hell, as an engineer and an administrator (both women) must navigate their escape pod to a place where they might be able to call for rescue.

When I'd just started this book I said that it reminded me of Alien Clay, and it really does have a lot in common with that book, especially since they are both expressions of Tchaikovsky's One Weird Theme, i.e. "How can we see Other as Person?" He hits the same beats as he does in that and other books that are expressions of that theme (for example, the exploratory overture that is interpreted as hostility, the completely different methods of accomplishing the same task) but if it's the sort of thing you like, you will like this sort of thing. It also reminded me a bit of Dragon's Egg by Robert L. Forward, in the sense that it starts with an environment which is the opposite of anything humans would expect to find life on, and reasons out from physics and chemistry what life might be like in that environment. Finally, it (weirdly) reminded me of Summer in Orcus by T. Kingfisher, because the narrator, Juna Ceelander, feels that she's the worst possible person for the job (of survival, in this case); the engineer has a perfect skill-set for repairing the pod and interpreting the data they receive, but she's an administrator, she can do everyone's job a little, even if she can't do anybody's job as well as they can. But it turns out that it's important that she can do everyone's job a little; and it's also important that she can talk to the engineer, and stroke her ego when she's despairing, and not mind taking the blame for something she didn't do if it helps the engineer stay on task, and that's very Summer.

I enjoyed this book quite a lot!

[*] for reasons that don't need exploring at this juncture

How I Killed Pluto and Why It Had It Coming by Mike Brown is what took me through most of the worst of my cold, as it's an easy-to-read micro-history-slash-memoir, which is one of my favorite nonfiction genres. Brown is the astronomer who discovered a number of objects in the Kuiper Belt, planetoids roughly the size of Pluto, which led to the inevitable question: are these all planets, too? If so, the solar system would have twelve or fifteen or more planets. If not - Pluto, as one of these objects, should not be considered a planet.

I really enjoyed the tour through the history of human discovery and conception of the solar system, and the development of astronomy in the late 20th and early 21st centuries. He manages to outline the important aspects of esoteric technical issues without getting bogged down in detail, so it's very accessible to non-scientists. Interwoven in this was his own story, the story of his career in astronomy but also his marriage and the birth of his daughter. It's an engaging, chatty book, and one must forgive him for side-stepping the central question of "so what the heck is a planet, anyway?"

Don't Stop the Carnival by Herman Wouk, which B had read a while back when he was on a Herman Wouk kick. I'd read Winds of War and War and Remembrance, and Marjorie Morningstar, but that was it, and I remembered he had said it reminded him a lot of our time in the Bahamas and Caribbean when we were living on our boat.

The best thing about this book is Wouk's sharp, funny writing - his paragraphs are things of beauty, his characters drawn crisply with description that always seems novel. The story itself is one disaster after another, as Norman Paperman, Broadway publicist, discovers that running a resort in paradise is, actually, hell. It's funny, but the kind of funny that you want to read peeking through your fingers, because you just feel so bad for the poor characters.

On the other hand, this book was published in 1965, and it shows. I don't think the racist, sexist, antisemitic, pro-colonization attitudes expressed by the various characters are Wouk's - he's Jewish, for one thing, and he's mostly making a point about these characters, and these attitudes. The homophobia, I'm not sure. But the book's steeped in -ism and -phobia, and I cringed a lot.

I enjoyed this book (for some value of "enjoy") right up until near the end, where a sudden shift in tone ruined everything.
Don't Stop the SpoilersTwo characters die unexpectedly; a minor character, and then a more major character, and everything goes from zany slapstick disasters ameliorated at the last minute to a somber reckoning in the ashes of last night's party. In this light, the ending feels jarring: the resort's problems are solved, the future looks rosy, and Norman realizes he is not cut out for life in Paradise and, selling the resort to another sucker, returns to the icy New York winter.

Reflecting on it, I think this ending is a better ending than the glib alternative of the resort's problems are solved, the future looks rosy, and Norman raises a glass and looks forward to dealing with whatever Paradise throws at him in the future. But because everything has gone somber, it feels not like he's learned a lesson and acknowledged reality, but that he's had his face rubbed in horror and decided he can't cope. If he'd celebrated his success and then ruefully stepped away, it would be an act of strength, but he runs back home, defeated, and all his experience along the way seems pointless.

Generation Loss by Elizabeth Hand - I got this book in a fantasy book Humble Bundle, so I was expecting fantasy, which this is very much not. It's a psychological thriller, following the first-person narrator Cass Neary, a fucked-up, drugged-out, briefly brilliant photographer who has been sent by an old acquaintance to interview a reclusive photographer - one of Cass's heroes - on a Maine island.

I kept reading because the narrative voice is fabulous and incredibly seductive, even though the character is a terrible person who does terrible things in between slugs of Jack Daniels and gulps of stolen uppers. It feels very immersive, both in the sense of being immersed in the world of the novel's events and in the sense of being immersed in the perspective of a messed-up photographer. But overall it's not really the sort of book I typically read, and it's not something I'd recommend unless you're into this type of book.

Music Monday: Two Rockin’ Videos

Feb. 16th, 2026 06:43 pm
jesse_the_k: Head inside a box, with words "Thinking inside the box" scrawled on it. (thinking inside the box)
[personal profile] jesse_the_k

The singer and the band are all on roller skates performing Bend Your Knees by Henry Mansfield & Digital Velvet! It’s an NPR Tiny Desk contest entry. Lyrics on bandcamp, video on YouTube or…

Stream it Here )

Thanks to [personal profile] clevermanka for sharing Fabulous, an absolute banger in both fashion and music from MEEK. Not work-safe since the chorus repeats ā€œfuckingā€ 42 times. Video on YouTube with accurate captions and lyrics in the description or …

stream it here )

oursin: Brush the Wandering Hedgehog by the fire (Default)
[personal profile] oursin

Charity secures 1000 acres for Wales’ largest rewilding project:

The charity’s approach will include introducing hardy cattle and Welsh mountain ponies to the land, with ancient breeds of pigs to follow. Their grazing and roaming will support habitat restoration.
Peatland rewetting and natural water retention across the site over the next five to ten years means the project will contribute to increased biodiversity, cleaner water, healthier soils, improved carbon storage and reduced flood risk for downstream farmland.
It is hoped these actions will create conditions to boost various species, with the potential for red squirrels, pine martens, polecats, curlews and hen harriers to return.
The charity also aims for much of the work to be carried out by local tradespeople. Community participation will also help uncover and share stories of those who lived and worked across the site’s 55 historic stone landmarks, from Bronze Age cairns to traditional upland buildings.

***

Not sure if this can at all be mapped onto Cranford (based on Knutsford): Knutsford's Booths Hall granted special building status:

The house was built in 1745 for Peter Legh after he married heiress, Anne Wade.
The building was extended in 1845 by his grandson, Peter and remodelled in 1858 into an Italianate style by Edward Habershon for John Legh, a nephew of Mr Legh.
In 1917, the Legh family auctioned the hall and estate.
....
Historic England says it was listed for ā€˜demonstrating fine craftsmanship in the brickwork and stone detailing’ of each phase.
Special features include the unusual and well-preserved first floor conservatory with a curved glass roof.
The good survival of interior features and decoration from all three building phases using high quality materials and a high degree of craftsmanship.

***

Another kind of heritage: Green’s Dictionary of Slang: Five hundred years of the vulgar tongue, including the invaluable Timelines of Slang.

***

Smutwalk: Mapping Nineteenth-Century Obscenity - though actually, not all of the physical places are still there. Still. I think one might manage a tribute to Pornographers of Ye Olde Tymes stroll.

***

Queer love and friendship: 1920s Fitzroy Square:

In 1927, Bobby and his queer working-class friends gathered in his Fitzroy Square flat. Though surveillance documents, we can learn about these vibrant gatherings, the people involved and the passionate, intimate letters that survive. These records offer a rare insight into queer lives of the time.

***

How Not To Do Heritage, we feel (guy has quite rightly been getting crapped on on social media): History professor finds huge Iron Age hoard: 'The collection will be auctioned at Noonans in Mayfair on 4 March as part of a coins and historical medals, external sale.'. Observe the guy's creepy smirk in the photo.

The Promptware Kill Chain

Feb. 16th, 2026 12:04 pm
[syndicated profile] bruce_schneier_feed

Posted by Bruce Schneier

The promptware kill chain: initial access, privilege escalation, reconnaissance, persistence, command & control, lateral movement, action on objective

Attacks against modern generative artificial intelligence (AI) large language models (LLMs) pose a real threat. Yet discussions around these attacks and their potential defenses are dangerously myopic. The dominant narrative focuses on “prompt injection,” a set of techniques to embed instructions into inputs to LLM intended to perform malicious activity. This term suggests a simple, singular vulnerability. This framing obscures a more complex and dangerous reality. Attacks on LLM-based systems have evolved into a distinct class of malware execution mechanisms, which we term “promptware.” In a new paper, we, the authors, propose a structured seven-step “promptware kill chain” to provide policymakers and security practitioners with the necessary vocabulary and framework to address the escalating AI threat landscape.

In our model, the promptware kill chain begins with Initial Access. This is where the malicious payload enters the AI system. This can happen directly, where an attacker types a malicious prompt into the LLM application, or, far more insidiously, through “indirect prompt injection.” In the indirect attack, the adversary embeds malicious instructions in content that the LLM retrieves (obtains in inference time), such as a web page, an email, or a shared document. As LLMs become multimodal (capable of processing various input types beyond text), this vector expands even further; malicious instructions can now be hidden inside an image or audio file, waiting to be processed by a vision-language model.

The fundamental issue lies in the architecture of LLMs themselves. Unlike traditional computing systems that strictly separate executable code from user data, LLMs process all input—whether it is a system command, a user’s email, or a retrieved document—as a single, undifferentiated sequence of tokens. There is no architectural boundary to enforce a distinction between trusted instructions and untrusted data. Consequently, a malicious instruction embedded in a seemingly harmless document is processed with the same authority as a system command.

But prompt injection is only the Initial Access step in a sophisticated, multistage operation that mirrors traditional malware campaigns such as Stuxnet or NotPetya.

Once the malicious instructions are inside material incorporated into the AI’s learning, the attack transitions to Privilege Escalation, often referred to as “jailbreaking.” In this phase, the attacker circumvents the safety training and policy guardrails that vendors such as OpenAI or Google have built into their models. Through techniques analogous to social engineering—convincing the model to adopt a persona that ignores rules—to sophisticated adversarial suffixes in the prompt or data, the promptware tricks the model into performing actions it would normally refuse. This is akin to an attacker escalating from a standard user account to administrator privileges in a traditional cyberattack; it unlocks the full capability of the underlying model for malicious use.

Following privilege escalation comes Reconnaissance. Here, the attack manipulates the LLM to reveal information about its assets, connected services, and capabilities. This allows the attack to advance autonomously down the kill chain without alerting the victim. Unlike reconnaissance in classical malware, which is performed typically before the initial access, promptware reconnaissance occurs after the initial access and jailbreaking components have already succeeded. Its effectiveness relies entirely on the victim model’s ability to reason over its context, and inadvertently turns that reasoning to the attacker’s advantage.

Fourth: the Persistence phase. A transient attack that disappears after one interaction with the LLM application is a nuisance; a persistent one compromises the LLM application for good. Through a variety of mechanisms, promptware embeds itself into the long-term memory of an AI agent or poisons the databases the agent relies on. For instance, a worm could infect a user’s email archive so that every time the AI summarizes past emails, the malicious code is re-executed.

The Command-and-Control (C2) stage relies on the established persistence and dynamic fetching of commands by the LLM application in inference time from the internet. While not strictly required to advance the kill chain, this stage enables the promptware to evolve from a static threat with fixed goals and scheme determined at injection time into a controllable trojan whose behavior can be modified by an attacker.

The sixth stage, Lateral Movement, is where the attack spreads from the initial victim to other users, devices, or systems. In the rush to give AI agents access to our emails, calendars, and enterprise platforms, we create highways for malware propagation. In a “self-replicating” attack, an infected email assistant is tricked into forwarding the malicious payload to all contacts, spreading the infection like a computer virus. In other cases, an attack might pivot from a calendar invite to controlling smart home devices or exfiltrating data from a connected web browser. The interconnectedness that makes these agents useful is precisely what makes them vulnerable to a cascading failure.

Finally, the kill chain concludes with Actions on Objective. The goal of promptware is not just to make a chatbot say something offensive; it is often to achieve tangible malicious outcomes through data exfiltration, financial fraud, or even physical world impact. There are examples of AI agents being manipulated into selling cars for a single dollar or transferring cryptocurrency to an attacker’s wallet. Most alarmingly, agents with coding capabilities can be tricked into executing arbitrary code, granting the attacker total control over the AI’s underlying system. The outcome of this stage determines the type of malware executed by promptware, including infostealer, spyware, and cryptostealer, among others.

The kill chain was already demonstrated. For example, in the research “Invitation Is All You Need,” attackers achieved initial access by embedding a malicious prompt in the title of a Google Calendar invitation. The prompt then leveraged an advanced technique known as delayed tool invocation to coerce the LLM into executing the injected instructions. Because the prompt was embedded in a Google Calendar artifact, it persisted in the long-term memory of the user’s workspace. Lateral movement occurred when the prompt instructed the Google Assistant to launch the Zoom application, and the final objective involved covertly livestreaming video of the unsuspecting user who had merely asked about their upcoming meetings. C2 and reconnaissance weren’t demonstrated in this attack.

Similarly, the “Here Comes the AI Worm” research demonstrated another end-to-end realization of the kill chain. In this case, initial access was achieved via a prompt injected into an email sent to the victim. The prompt employed a role-playing technique to compel the LLM to follow the attacker’s instructions. Since the prompt was embedded in an email, it likewise persisted in the long-term memory of the user’s workspace. The injected prompt instructed the LLM to replicate itself and exfiltrate sensitive user data, leading to off-device lateral movement when the email assistant was later asked to draft new emails. These emails, containing sensitive information, were subsequently sent by the user to additional recipients, resulting in the infection of new clients and a sublinear propagation of the attack. C2 and reconnaissance weren’t demonstrated in this attack.

The promptware kill chain gives us a framework for understanding these and similar attacks; the paper characterizes dozens of them. Prompt injection isn’t something we can fix in current LLM technology. Instead, we need an in-depth defensive strategy that assumes initial access will occur and focuses on breaking the chain at subsequent steps, including by limiting privilege escalation, constraining reconnaissance, preventing persistence, disrupting C2, and restricting the actions an agent is permitted to take. By understanding promptware as a complex, multistage malware campaign, we can shift from reactive patching to systematic risk management, securing the critical systems we are so eager to build.

This essay was written with Oleg Brodt, Elad Feldman and Ben Nassi, and originally appeared in Lawfare.

ffutures: (Default)
[personal profile] ffutures
Underground and aerial fantasy adventures from Aaron A. Reed, the second edition of Downcrawl (going downwards) adding Skycrawl, for the upwardly mobile.

https://bundleofholding.com/presents/Downcrawl

 

I'm probably not going to find this useful, but if you run fantasy adventures it may be worth a look - it's cheap and seems to have some fun ideas.

D&D: Harpsichord in the Ballroom

Feb. 16th, 2026 09:50 am
canyonwalker: Roll to hit! (d&d)
[personal profile] canyonwalker
As my D&D group continued playing through my adventure The Collector's Menagerie, aka Cursed Clue, they entered the mansion's Ballroom.

The Ballroom, from the 1972 edition of Clue (Feb 2026)

They were wary of giant spiders, having seen the empty cage marked Arinerum Magni, so the first thing they did as they entered the huge chamber with a smooth stone tile floor was look up at the ceiling. The second thing they did, since they were also worried about a mimic, aka Versipellis Furtivus, was bang with their fists on all the suits of armor posed along the walls as trophy decorations. Apparently they assumed the mimic would take the form of a warrior to bash them.

Well, they were half right. The mimic was hiding in plain sight, in disguise, in the Ballroom. But it wasn't a suit or armor. Or even a sofa. (There were several bench-like sofas along the walls of the ballroom.) It was... the harpsichord!

I passed a clue note (one of my favorite little techniques, no Clue pun intended) to the player of Ryuu-Han, who was closest to the harpsichord on the musicians' dais at the opposite side of the ballroom.

Something's Off (Spot DC 23)
You’re no bard, but this harpsichord doesn’t look right. Like, it’s a fake? It looks like it’s made of rough materials, with misshapen keys and uneven sides

And then...

Harpsichord WTF? (Spot DC 23)
You could swear that harpsichord looked at you. Like, with eyeballs.


A monster piano or harpsichord (Adobe stock photo)

Okay, it wasn't as obvious as this pic (above). That's just something cute I found from Adobe Stock Photography when I searched for something like "evil harpsichord". Apparently Adobe keeps a library of pictures like that for when musical instruments go bad. 🤣

But this harpsichord didn't just give Ryuu-Han some side-eye. As Ryuu-Han tried to warn Leoghnie, the fierce warrior fighter, that the harpsichord might be about to start something... the harpsichord started something.

mimic-harpsichord-3x5-600px.jpg

The harpsichord reached out 10' across the room with a tongue-like appendage and pummeled Ryuu. It badly wounded him and left him sticky with a glue-like slime. Ryuu found he couldn't move and had to struggle to wrest himself free, unable even to cast a spell.

Ryuu-Han, a character I created for my Durendal D&D game (Jan 2026)

The rest of the group swung into action. But the harpsichord already had Ryuu's number. It pummeled him again, knocking him unconscious. Then turned its... tongue... to Leoghnie. It gave her a wallop and stuck her in place.

Someone in the group remarked on the sticky slime situation, "We're not stuck here with it, it's stuck with us!" Except, I pointed out, the harpsichord just stepped toward the party. To make it harder for them to get away. The harpsichord was on a tear.

Herran, a character I created for my Durendal D&D game (Jan 2026)

Herran, often the boldest one in the group, had stepped back to drink a potion to buff up. There's something to be said for the wisdom of recognizing when you're overmatched. Otonio rushed to help Ryuu, pulling him out of the monster's attack range and trying to see if he could revive him. Kiarana called out, "I'll heal Ryuu, you join the fight!"

Kiarana, a character I created for my Durendal D&D game (Jan 2026)

In the next round the group managed to turn the tide of battle. Scrambling to form a plan and get people in the right places helped.

Leoghnie, a character I created for my Durendal D&D game (Jan 2026)

Leoghnie got herself unstuck and delivered a massive wallop to the mimic. It had been hitting hard... but she could hit harder. Especially when she was pissed and leaned in with Power Attack. Keys went flying.

"Is it looking badly injured?" Leoghnie's player asked.

"It just lost about 3 octaves."

Otonio, a character I created for my Durendal D&D game (Jan 2026)

Herran had stepped up to join the fight, and now, too, did Otonio. He bravely dashed right past the flailing monster to surround it in a flanking attack. The malign harpsichord lashed at him with one of its appendages but couldn't beat the young man's fancy footwork. (Mobility gives a +4 dodge bonus to AC against attacks of opportunity, y'all!) Otonio then skewered it from the side, finding a weak spot where the monster couldn't defend itself on both sides simultaneously. (Sneak Attack FTW!)

At that point it was all over except the crying. And lots more sticky slime. Herran slashed with his wakizashi. Ryuu, now back on his feet, lobbed in attack spells. Leoghnie unloaded another overhand attack with her greatsword— Striking the Spark, her latest tutor called it— and smashed the creature into a puddle. Kiarana finished it off with a Hammer of Light because... y'know... evil harpsichords totally might play 'possum.

Planning

Feb. 16th, 2026 09:32 am
mmcirvin: (Default)
[personal profile] mmcirvin
I booked my hotel rooms for the June coaster trip (prices were reasonable by today's standards-seemingly no issues from the World Cup, and I didn't really expect any, given where and when I'm going) and got some of the requisite tickets. Now I'm getting excited about planning.

I'm realizing this kind of trip is markedly different from a family vacation where I have to care about the needs of other people. With the lodging I've arranged, I can rope-drop the park and stay until closing. I can stand in line for 2 hours for something if I see fit, and not bother anyone else. But that doesn't mean I want to.

So I've been looking at Thrill Data and Queue Times and figuring out what the situation is. My plan for my main visits is to do 2 days at Hersheypark, have a non-park break day after that, then 1 day at Knoebels and 1 at Dorney Park. It looks like Knoebels and Dorney Park basically do not have crowd issues at that time of the year if ever. The one ride at Knoebels that gets a significant line is their unique recreation of an early-20th-century wooden bobsled coaster, Flying Turns--and we're talking 30-40 minute waits there, like Yankee Cannonball at Canobie, easy peasy compared to the situation I just encountered in Singapore. At Dorney, basically there's nothing to worry about (except that the park might not have a future).

So that leaves Hersheypark. The last time I went there, over a decade ago now, I remember getting stuck for an hour waiting for Fahrenheit, their Intamin ersatz Eurofighter. That one still seems to be a bit problematic because of its low capacity, but the real standout that can have 100-minute waits or more seems to be their crowd-pleasing B&M hyper Candymonium, which has its entrance right at what is now the front of the park. I guess I could buy whatever skip-the-line pass they have, but with two days there, I'm not really pressed for time. I gather you can get shorter waits on Candymonium by just waiting until near close to ride it, so I think I'll just do that, using the classic coaster-enthusiast plan of working from the back of the park forward on each day. Same with Great Bear, the B&M invert, another ride with broad appeal that seems to be the second worst wait of the coasters.

With the other big ones I want to ride (Wildcat's Revenge, Skyrush, Storm Runner etc.), it sounds like I can expect waits in the 30-minute ballpark, which is just not a problem for me in this situation. The other long waits are in the waterpark, and, eh, waterpark stuff is a nice-to-have for me, at best. If I want to get wet I can always do their venerable flume, Coal Cracker, which was really the first significant thrill ride I ever rode as a child. It looks like Dorney has a decent waterpark too!

Hersheypark has this cool perk called "Preview Plan" included with all of their regular 1- and 2-day tickets, which lets you arrive for the last 90 minutes of operation the evening before your main visit begins and get free admission and parking. I am hoping to use that, if I'm not too beat from the road trip, and it might be the way to hit Candymonium or Great Bear as the first ride of my visit.

I might hit Quassy, one of the few New England parks I have not yet visited, as a stop on the way there and finally ride Wooden Warrior, the only existing wooden coaster in New England that I have not ridden. For the non-park day and a break on the trip home, I'm thinking museums--there are some interesting ones on or near my way. With my hotel bookings, there's enough flexibility that I could probably move one or more of these park visits one day forward or back to avoid bad weather, if it's extreme enough to worry about. But the usual coaster-enthusiast way is to brave mild rain and look forward to lighter crowds (as long as the rides stay open).

(no subject)

Feb. 16th, 2026 01:12 pm
beccaelizabeth: my Watcher tattoo in blue, plus Be in red Buffy style font (Default)
[personal profile] beccaelizabeth
Today there are people doing power tool things in the hallway and I am Not Enjoying It.

But necessary Monday tasks got done so all I have to so is stay i the corner furthest from the Noise until they go home.
*xfingers*




I watched a few Legends of Tomorrow episodes this morning but today it was feeling sort of well chewed. I don't usually feel that way about rewatching things but I am kind of feeling that way about Several things at the moment. Think I need a new project, and maybe to watch some of the things off the stack I've never seen yet.

... also to actually go where there are people and interact with humans again at some point. Trickier than rewatching stuff at three in the morning.


Maybe if I start writing and see where it goes...

#183 - Stoic

Feb. 16th, 2026 03:35 am
mxcatmoon: Vocab_blue (Vocab_blue)
[personal profile] mxcatmoon posting in [community profile] vocab_drabbles
This week's word is

Stoic


[ˈstōik]

noun
A person who can endure pain or hardship without showing their feelings or complaining.

A member of the ancient philosophical school of Stoicism.

adjective
Another term for stoical.
"A look of stoic resignation."


What if D&D Monsters had Latin Names?

Feb. 15th, 2026 09:39 pm
canyonwalker: Roll to hit! (d&d)
[personal profile] canyonwalker
Today we played D&D again. It was the second full session of my game, The Collector's Menagerie. After an action-packed session 2 weeks ago where the group got through a lot of challenges today they.... Well, it's not so much that they "hit the skids" as that they fell over laughing.

The Collector's Menagerie, a D&D adventure I created (Feb 2026)

The laughs today came from two things. First, I came up with names for the menagerie of monsters they're fighting in the mansion. No, I don't mean names like "Sammy the Stirge". I mean names like... if you saw these monsters at a zoo, what would the placards in front of their cages say? Because part of the story here is that these monsters literally have cages. And they were put there by a collector... who wanted to show them off. Hence they'd have labels!

The group came back upstairs out of the basement and ventured into the Gallery next. The gallery is the large room where the collector literally had most of his exotic monsters displayed in cages. And because the collector was a bit snooty— I mean, if you've got exotic monsters in display cages between your Hall and your Ballroom you're going to want to be snooty about it— I decided the placards would be in an ancient language known only to the most learned scholars. Ergo, for roleplaying props, they're in Latin.

But how do you say "Owlbear" in Latin? I punted... and marked the cage "Ursa Noctua". Bear-owl. šŸ˜‚

One of the PCs is actually fluent in my game's ancient scholarly language. And the players had fun trying to guess the monsters from their high school Latin lessons before his character translated them. I gave them these 6 monster labels:


  • Ursa Noctua : Bear owl (Owlbear)

  • Versipellis Furtivus : Sneaky Skin-changer (Mimic)

  • Arinerum Magni : Large Spiders

  • Aves Sanguinarii : Blood-drinking Birds (Stirges)

  • Scutigera Cadaverosa : Carrion Crawler

  • Belua Excrementum : Shit Elephant


To preserve an element of mystery there were two cages with missing labels.

The group choked a bit on the Sneaky Skin-changer— which they interpreted (correctly) as a Mimic, a classic D&D monster. They kind of assumed it, anyway, the moment they saw the treasure chest with fangs chasing someone in the cover pic (above).

The group really choked on Large Spiders. Even worse than worrying aloud that every piece of furniture they came across could be a Mimic, they fretted that there might be spiders ready to drop down on them from the shadowy recesses of the high ceilings. šŸ•·ļø

The one I thought was funniest, though, was the last one in the list. The Shit Elephant.

The closest I could find in Latin for an Otyugh is Belua Excrementum. Shit Elephant. 🤣 (Feb 2026)

I came up with that monster's Latin in-game ancient language name, Belua Excrementum, by starting with the name we came up with when the group fought it in the last session, Shit Monster. "Shit" translates obviously to excrementum, but "monster".... In Latin, "monster" really refers to a thing of enormous size. Like "jumbo". "I have a monster headache" is like saying, "I have a jumbo headache." And the word for very large thing happens to be the word for elephant. Belua. So the Otyugh got the Latin name Shit Elephant. šŸ’©šŸ˜šŸ¤£


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[personal profile] chestnut_pod
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Feb. 15th, 2026 06:17 pm
skygiants: the aunts from Pushing Daisies reading and sipping wine on a couch (wine and books)
[personal profile] skygiants
I never got around to writing up Anne McCaffrey's The Mark of Merlin when I read it last year, but I've been thinking about McCaffrey a lot recently due to blitzing through the Dragons Made Me Did It Pern podcast (highly recommended btw) and [personal profile] osprey_archer asked for a post on my last-year-end round-up so now seems as good a time as any.

The important thing to know about The Mark of Merlin is that -- unlike many of the things I've read recently! -- it is not, in any way, the least little bit, Arthuriana. They are not in Great Britain. There are no thematic Arthurian connections. There is absolutely zero hint of anything magical. So why Merlin? Well, Merlin is the name of the heroine's dog, and he's a very good boy, so that's all that really needs to be said about that.

Anyway, this is McCaffrey writing in classic romantic suspense mode a la Mary Stewart or Barbara Michaels, and honestly it's a pretty fun time! Our Heroine Carla's father Tragically Died in the War, so he asked his second-in-command to be her guardian and now she's en route to stay with Major Laird in his isolated house in Cape Cod. Tragically scarred and war-traumatized Major Laird has no Gothic-trope concerns about this because Carla's full name is Carlysle and her dad accidentally forgot to tell him that the child in question was a daughter and not a son; Carla is fully aware of the mixup and but has not chosen to enlighten him because she thinks it's extremely funny to pop out at Major Laird like "ha ha! You THOUGHT I was a hapless youth and wrote me a patronizing letter about it, but INSTEAD I am a beautiful and plucky young co-ed so joke's on you!"

There is an actual suspense plot; the suspense plot is that Someone is hunting Carla for reasons of secret information her dad passed on in his luggage before he died, and also his death was under Mysterious Circumstances, and so we have to figure out what's going on with all of that and eventually have a big confrontation in the remote Cape Cod house. But mostly the book is just Carla and the Major being snowed in, romantically bickering, huddling for warmth, cooking delicious meals over the old Cape Cod stove, etc. etc. Cozy in the classic sense, very little substance but excellent for reading in a vacation cottage while drinking tea and eating a cheese toastie.

As a sidenote, I did not know until I started listening to Dragons Made Me Do It that McCaffrey's Dragonflight preceded The Flame and the Flower, the book that's credited as being the first bodice-ripper romance novel and launching the genre of historical romance as we know it today, by a good four years. It's interesting to place this very classic romantic suspense novel -- which was published almost a decade after Dragonflight, but, at least according to this Harvard student newspaper article I turned up, at least partially written in 1950 -- against the full tropetastic dubcon-at-best dragonsex Pern situations, which clearly belong to a later moment. And speaking of later moments, it's also a bit of a mindfuck for me to think very hard about McCaffrey's place in genre history and realize how very early she is. I was reading McCaffrey in the nineties, against Lackey and Bujold. Reading her in conversation with Russ and LeGuin is a whole different experience.

But this is all a tangent and not very much to do with The Mark of Merlin, a perfectly fun perfectly fine book, very short on the wtf moments that have characterized most of my experiences with McCaffrey, and if anything comes late to its moment rather than early.

Grant in the west

Feb. 15th, 2026 12:48 pm
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[personal profile] calimac
Having recently read a biography of U.S. Grant, I was primed to visit the sites of his western service in the Army, both of which sites were on the route of my driving trip.

Having graduated from West Point and done courageous and enterprising service in the Mexican War, Lieutenant Grant spent the first few peacetime years at posts on the eastern Canadian frontier, where he could have his wife and children with him. But in 1853 he was transferred to the Pacific Coast - time-consuming, dangerous, and expensive to get to, so he had to leave his family behind.

Lonely without them, bored by his routine quartermaster duties, depressed by the damp and gloomy weather, and not getting along with his commanders, Grant began to drink heavily - or not, depending on which authorities you believe. At any rate, having been promoted to Captain in the interim, after a year on the coast he resigned his commission and returned east, to face even greater personal failure as a civilian until the Civil War arrived and he found his true metier as a commanding general.

Grant served at two posts in the west, and I visited them both. There's little relic of his presence.

Fort Vancouver National Historic Site, on the Washington state side of the Columbia River opposite Portland, is built around the Hudson's Bay Company fur-trading post of that name, but it now also includes the US Army's nearby Vancouver Barracks, still a military post when I was last here. But most of the row of impressive Victorian officers' houses that now dignify the site weren't present when Grant was here. They were built by General O.O. Howard, of passing Civil War note, who was sent out here by President Grant to improve the facilities. Grant remembered having lived in crude wooden cabins, now long gone, elsewhere on the property. One full house which was here in Grant's time is called Grant House, but he didn't live in it. The site museum says a little about all this; I learned more from conversation with the curators.

Fort Humboldt State Historic Park, on a hilltop above Eureka, California, is mostly rebuilt buildings on an open lawn. Plenty of placards but no museum. The site had been saved from housing development in the late 19C by Grant fans who wanted to preserve the site, though the original buildings had been torn apart by Grant-worshipping souvenir hunters. The placards are mostly about camp life; passing note is taken of Grant's presence, but the main one on him concerns past Grant hagiography. There's still a commemorative plaque erected by the DAR; and the placard has a photo of a now long-gone ridiculously giant statue of Grant.
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[personal profile] shadaras
I get tomorrow off! I'm looking forward to that, especially since I finally feel pretty human again, no more lingering illness.

1.
The horizon has glimmers of color as I drive to work, these days. It's very nice! It also means I'm cynically like "it's going to be sunrise when I'm driving to work and then daylight saving is gonna happen and it'll be dark again", because that's just how it goes.

2.
Periodically I remember that doing things gives you more energy for doing things, inclusive of how hanging out with people means you have more energy for hanging out with people? Truly the most annoying thing, knowing that sometimes forcing yourself to do the thing will result in feeling better! But also sometimes you need to not because of being out of energy/spoons. Balancing this! The worst!

3.
Star Trek: Discovery s3 continues to be overall good!
(When did I last talk about this. Ep4, apparently! So!)
s3e5 "Die Trying": I adored the set design for the seed ship. This was a good example of moving the plot along while setting up a farewell episode for a crew member who wouldn't be continuing on!
s3s6 "Scavengers": I want the miniseries/full arc of this episode. I am extremely here for the Michael/Phillipa/Book trio! I also think that having more time to dig into the prioritization of "solve the Burn" vs "obey Starfleet structure" vs "save people" would have been excellent.
s3e7 "Unification III": I will indeed cry upon seeing old footage of Leonard Nimoy as Spock. Uh. idk, the Qowat Milat are always cool? This episode progressed arcplot, mostly?
s3e8 "Sanctuary": god I really want more specifics about what Book's empathy powers are. Fun antics around following the letter of the law with Starfleet protocol, and makes it clear that yeah the Emerald Chain is gonna be the arcvillain. Also, Adira comes out to Stamets as nonbinary! in a scene that's very "okay yeah this is meant to be #relatable to teens", which isn't a bad thing but also I fundamentally am like "but it's Star Trek, why would a nonbinary person be worried about if they'd be accepted in Star Trek?"
s3s9-10 "Terra Firma", parts 1 and 2: A two-episode farewell to Mirror Phillipa Georgiou. I loved this as a character study for her! However! It makes the season's pacing really weird, since there are only three episodes left in the season and these two episodes were basically not about the arcplot at all. Phenomenal for the relationship between Michael and Phillipa, though, holy shit.

Truly a lot of my feelings about DSC s3 are that it doesn't seem to quite know if it's an episodic show or an arcplot show, and that leaves me resenting both the cutaways from episodic plots to arcplot scenes and the cutaways from arcplot for episodic plots. xD I still enjoy it because of the character dynamics, and I'm glad Tilly is starting to get what she's owed, but it's kind of messy plotting. Looking forward to the finale anyway, and I also expect that s4 will have an easier time with figuring itself out since it won't be as busy trying to establish the new time/setting as well.

4.
I also watched the first 9 episodes of Duet of Shadows a republican-era cdrama with ~19min episodes about very butch4butch investigator protags. Definitely having a good time! The first case/arc is basically "a trans man opera singer got outed and died", for reasons that turn out to not be a gender-related hate crime (his gender is very respected by those who know him! there's a scene in which someone who knew him hands one of the protags a binder and is like "pls use this instead of bandages"!). I think this is fun. Not everyone will. xD Curious what the next case/arc will be, and shall see how long it takes for me to finish it!

5.
Watching Yanxi Palace slowly continues! We're seven episodes in now, and Yingluo has attracted the Empress's attention (positive). The brief cut back to the eunuch tasked with figuring out who the quick-witted maid (Yingluo) is for the Emperor in the midst of that was very funny. But mostly these episodes have been about how clever and ruthless Yingluo is, and how those are necessary traits in the inner courtyards of the imperial palace.

6.
Six Sentence Sunday is always a fun meme. This is more than six sentences, but it is Sunday!
ā€œMs. Warram,ā€ Ames said icily, his patience worn thin, ā€œyou have not even given me details about your offer. Your letter said nothing about compensation, support, or even a timeline for prototyping. It merely told me what you wanted from me, and nothing about this conversation leads me to believe I will enjoy the environment of your trading company. Treat me with the respect the title of Chief Engineer implies and I might consider visiting your workshop to make an informed decision. Otherwise, I do not see any reason to continue this conversation."

Emeline sat up straight, hands folded in front of her, that ring catching the light. He still couldn’t quite make out the design on it. ā€œAmaranth dev Citronel,ā€ she said, ā€œI will show you the workshop. You will come with me?ā€

Ames opened his mouth to say ā€œNoā€, but the light kept gleaming from Emeline’s eyes and ring, and he couldn’t concentrate through them. His tongue felt thick and heavy, as did the rest of his body.

It occurred to Ames, as the light stole over him, that he had been so busy worrying about the mundane side of predatory business contracts that he hadn’t even thought about a mage dead-set on taking him.

His lips said Yes, and Ames’ last conscious thought was that, if nothing else, Rhei would know something was wrong as soon as they arrived back in Jogan’s Rest.
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[personal profile] rydra_wong
https://www.scenemag.co.uk/lancaster-university-launches-national-consultation-to-shape-future-of-adult-gender-healthcare/

https://wp.lancs.ac.uk/transadultspsp/

The focus is identifying priorities for future research, specifically related to "non-surgical, transition-related healthcare for people aged 18 and over", and they're starting with a survey.

Funded by Gendered Intelligence, led by a steering group which is half people with lived experience (in fact more than half, as some of the healthcare professional members also ID as trans), one of the two co-leads is a trans woman, and they're partnered with TransActual and GIRES, so this looks like real genuine co-production.

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